1861-1944   Related Paintings of Joseph E.Southall :. | Study for Bacchus and Ariadne,circa 1912 | The Meadow | Beach Studies,Southwold | The White Barque at Fowey | Two Studies of Thomas Rogers Southwold |
Related Artists:
Joseph Marie Vien
French Neoclassical Painter, 1716-1809 French painter, draughtsman and engraver. He was one of the earliest French painters to work in the Neo-classical style, and although his own work veered uncertainly between that style and the Baroque, Vien was a decisive influence on some of the foremost artists of the heroic phase of Neo-classicism, notably Jacques-Louis David, Jean-Fran?ois-Pierre Peyron, Joseph-Benost Suve and Jean-Baptiste Regnault, all of whom he taught. Both his wife, Marie-Therese Reboul (1738-1805), and Joseph-Marie Vien fils (1762-1848) were artists: Marie-Therese exhibited at the Salon in 1757-67
Jean Baptiste Wicar
Jean-Baptiste Wicar (22 January 1762, Lille - 27 February 1834, Rome) was a French Neoclassical painter and art collector. The son of a carpenter, Wicar studied drawing at the free school in Lille before further honing his talents in the studio of David. The drawings Wicar created of Tableaux, statues, bas-reliefs et camees de la Galerie de Florence et du palais Pitti (Paintings, statues, bas-reliefs and cameos in the Gallery of Florence and the Pitti Palace) were published in Paris in 4 volumes at the Lacombe publishing house from 1789 to 1807. Wicar headed the commission set up by Napoleon I of France to loot artworks from the Austrian Netherlands to enrich museums in France - an initial convoy left Antwerp on 11 August 1794, notably with paintings by Rubens, for the Louvre. Abbeys and castles were systematically emptied of their contents, furniture and works of art. Wicar was also a member of the commission des sciences et des arts on the Italian campaign, in the entourage of Bonaparte. This commission was charged with seizing artworks that could enrich French national museum collections. He finally permanently settled in Rome in 1800 and became a portraitist of European renown. On his death in Rome, Wicar left the major collection of 1,300 drawings he had accumulated over his lifetime to the Societe des Sciences, de leAgriculture et des Arts de Lille. Mostly from the Italian school, but also in some small measure from the northern schools, it held drawings by artists like Raphael, Albrecht Derer, Lucas Cranach, Nicolas Poussin and Jacques-Louis David.
Caesar van Everdingen
(1616/17, Alkmaar - buried October 13, 1678, Alkmaar), older brother of Allart van Everdingen and Jan van Everdingen, was a Dutch Golden Age portrait painter. Caesar Pietersz van Everdingen also known as Caesar Boetius van Everdingen was educated in Utrecht, where he learned to paint from Jan Gerritsz van Bronckhorst.Caesar became a member of the painter's guild in Alkmaar in 1632. His first known painting dates from 1636. In 1648 he moved to Haarlem, where he joined the Haarlem Guild of St. Luke and the civic guard (or schutterij) there, where he met Jacob van Campen. From 1648 to 1650 He helped him with the decoration of the Oranje Zaal (Orange room) in Huis ten Bosch. In 1658 he moved back to Alkmaar where he started a workshop and took on pupils. Many of his pictures are to be seen in the museums and private houses of the Netherlands. His pupils were Jan Theunisz Blanckerhoff, Adriaen Dekker, Hendrik Graauw, and Thomas Heeremans.Houbraken also lists two other pupils; Adriaen Warmenhuizen, and Laurens Oosthoorn.